I think it is important to emphasize here that it is not entertainment broadcast or released in the theaters at one time but on-demand entertainment via Smart TV of the consumer and not the release date of the producer.
There are some but nothing what it might become. What is the rating for the program? Since people watch on-demand, how does one measure on-demand and create a rating system like a Neilson rating in on-demand. The new media presents so many new problems. There are many good things about on-demand streaming TV but one of the bad things – I believe – is that this new world has developed few real navigational advisors or tour guides to the incredible developing world of on-demand entertainment. Streaming is the greatest way to measure audience interaction and reaction. It is the first time ever the entertainment world has been able to do this to such a degree. It is only logical that there will be a huge increase in info on users of an on-demand media than network or broadcast. Viewers are computer users to the grand computer entertainment streamer Netflix. One of the greatest advantages of streaming, on-demand entertainment delivery is because one has demanded entertainment via clicks on your Smart TV rather than buttons pushed on your cable TV device. This relates to a lot of things but here I want to focus on that new form and delivery vehicle of entertainment called on-demand, streaming. Yet, it seems penetrate and infiltrate generational boundaries. Yes, it is a generational thing in a lot of ways. Those used to regular schedules and a linear time frame feel out of place in the emerging non-linear world developing more each day all around us. Netflix and Hulu and more and more today.
New series come out in a new age that many label as the “Golden Age of Television.” Steaming TV. The on-line, on-demand, streaming TV industry seems like another wild west environment. Then, back here to start reading the below Scroll to the bottom of this page and start the Ashley O song. Starring Miley Cyrus, Angourie Rice, Madison Davenport and Susan Pourfar
Directed by Anne Sisisky / Written by Charlie Brooker